ART MATTERS A VIEW OF THE VISUAL ARTS IN BERMUDA BY CHARLES ZUILL

Political Cartooning in Bermuda

The political cartoon has had a long and illustrious history - its beginnings, it seems, hark back to the sixteenth century, to Italy and Germany. By the eighteenth century political cartoon had developed into a highly sophisticated art, especially in England, with the likes of such artists as William Hogarth (1697-1764), James Gillray (1757-1815) and Thomas Rowlandson (1756-1827), while in nineteenth Century France, Honoré Daumier’s vicious depictions of King, Louis Philippe was such, he was sentenced, in 1832, to six months in prison for his efforts.

Political cartooning in Bermuda, however, has until recent times been spotty, at best. It has only been in the last thirty years that it has been a consistent reality in the local press and that is because of the skillful, albeit, gentle depictions of Bermudian political foibles by Peter Woolcock. One way to get a sense of the Bermuda political scene is to buy his latest edition of Woppened, the annual publication of Woolcock’s weekly cartoons from the Royal Gazette. His insightful depictions are enlightening and always highly amusing.

I recall, however, back in the 1950’s, political cartoons by F. Kenwood-Giles and later in the 1980’s, there was, for a brief period, a series of cartoons, called Lennie the Longtail created by Walt Horton. Back in the 1930 James Thurber also created cartoons for the Bermudian magazine, but these are not so much political, as social commentary. In 1986, Bermudian, Michael Frith of Muppets fame also made a series of cartoons based on Bermuda history. I remember them as being skillfully drawn and composed.

According to an article on Bermuda’s cartoon history, in the Mid-Ocean News of May 16, 2008, by Jonathan Land Evans, possibly the first Bermuda themed cartoons, were by an anonymous artist, who depicted goings-on in the construction of the Royal Naval Dockyard. These date from 1833 and are now in the Faye & Geoffrey Elliott Collection in the Bermuda Government Archives.

Political leaders often take themselves very seriously. It is important, therefore, that they be kept humble through humor and this is the goal, at best, of political cartoons. I recall, back at a time when no one was creating political cartoons, saying to a newspaperman, that we needed a good political cartoonist. I should not have been surprised at his response, however. He said that he would not dare touch it. Bermuda, being a small community, where we locals get to know our leadership and often remember them as former school mates, it is difficult to be pointed in our criticisms. This is where the really benign approach of Peter Woolcock comes in. He has the uncanny ability to poke fun at the leadership without being vicious. At the same time, he achieves the goal of good political cartooning. He lets the leadership know that we are not taken-in by their posturing and pontificating, let alone, some of their decisions.

BERMUDA NATIONAL GALLERY

Located beside the main bus terminal in Hamilton, on the second floor of City Hall & Arts Centre, the Bermuda National Gallery is the place to start one’s exploration of the visual arts in Bermuda. Always on display in the Ondaatje wing is the history of Bermuda, as told through visual and decorative arts: paintings, cabinetry, silverware, photographs, beautiful art and artifacts that tell the narrative of this developing, diverse culture. As exhibitions change throughout the year, please visit www.bng.bm for current exhibitions. Each exhibition is supported by a variety of interesting lectures, films, and events. Free, guided tours each Thursday at 10:30 a.m. To arrange other tours contact the gallery. Open Monday-Friday, 10:00am to 4:00pm Saturday 10:00am to 2:00pm. Admission is free

Tel 441 295 9428 | e-mail director@bng.bm or www.bng.bm
MASTERWORKS MUSEUM OF BERMUDA ART

Set in the Botanical Gardens, Bermuda’s first ever purpose built museum houses a collection of over 1,200 pieces of Bermuda inspired art. Renowned artists such as Georgia O’Keeffe, Winslow Homer and Albert Gleizes are part of the permanent collection, and there are continuously evolving shows of local artists on display. Masterworks Foundation was started 25 years ago with just a few paintings, and has grown to the collection we see today. In March 2008, after five years of construction, the new Masterworks Museum of Bermuda Art was opened to the public. The museum presents an impressive facility for educational purposes for all Bermudians, as well as providing an exciting destination for visitors to the island. The museum shop sells prints and original local art, and Homer’s Café serves a wide selection of baked goods including gluten free goods, lunch items and afternoon tea. The Museum is easily accessible with a ramp and elevator.
On display in the Butterfield Family Gallery from September 2nd until December 3rd, 2011 is the fourth annual Charman Prize. The Charman Prize is an art competition for local artists and is a fantastic opportunity to see the range of artistic talents Bermuda has to offer. The Charman Prize will be on display from September 2nd – December 3rd, 2011. The Museum is open Monday – Saturday from 10am – 4pm. Admission $5, free for members and children under 12.

Masterworks Museum of Bermuda Art, tel 441 236-2950, email mworks@logic.bm, or www.bermudamasterworks.com
ANTHONY PETTIT BERMUDA MAPS, BOOKS,
PRINTS & PAINTINGS

Anthony Pettit is a dealer in most types of antiquities relating to Bermuda, particularly maps, books, prints, paintings and ephemera. Engravings, lithographs, views and woodcuts are offered, as are sketches, oils and water colours. Among the ephemera are postcards, posters, brochures and photographs. A fully illustrated catalogue is available on request.

Tel 441 292 2482 or website www.anthonypettit.com
CRISSON & HIND

Sculptures by the master Shona fine artists of Zimbabwe are among the most impressive and sought-after works of art in Africa - and the best place to find them is right here in Bermuda at the Crisson & Hind Fine Art Gallery on Front Street, Hamilton.
Gallery owner Colin (Dusty) Hind has developed an extraordinarily close relationship with the artists, many of who now work exclusively on commissions for the Gallery. Mr. Hind visits Zimbabwe up to three times a year, personally helping to source, quarry and truck stone to the artists’ workshops where the sculptors set about making hard, beautiful Zimbabwean stone such as springstone, butter jade and serpentine, live and breathe. The Gallery teems with handsome tribal chiefs, elaborately braided women, prowling leopards, and intricate herds of antelopes and elephant.
The pieces can weigh up to 400 lbs but the Gallery can ship pieces all over the world at reasonable cost. Each piece has already travelled more than 8,000 miles, packed in custom boxes, made by the Gallery’s experienced staff in Zimbabwe. The Gallery will repack, fully insure and ship within days of purchase.
Remember that original works of art are duty-free into the U.S., Canada, and the U.K. Smaller pieces up to about 25 lbs can be taken as accompanying baggage.

Tel 441 295 1117 or website www.crissonandhind.com
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